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Civic Theatre has a brand new alternate performance space: The
Underground at the Annex! The Underground is located in the space
formerly known as the Civic Theatre Educational Annex in Washington
Square Mall in the former Harry Levinson's storefront. In 2008, a group of enthusiastic volunteers completely
revamped the storefront to serve as a flexible "black box" theatre
space.
The
goal of the Underground is to act as a resource for aspiring
performers, actors,
and directors within our community who are looking for a space to put
on a production of their own. The Underground at the Annex will offer
material that would most likely not be seen on the regular Civic
stage. This is a perfect space to explore edgier material as well as a
great space for a Cabaret or dinner theatre. If you are interested in
partnering with Civic Theatre to produce a show, please contact us!
Underground at the Annex
Contact Information:
Clay Prindle, Annex Manager
clayprindle@yahoo.com
Nick "Frick" Wentzel, Annex Manager
nbwentzel@yahoo.com
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UPCOMING EVENTS AT THE
CIVIC THEATRE ANNEX
IN WASHINGTON SQUARE MALL
AUDITION
ANNOUNCEMENT!
Asylum by Keith Aisner
Friday July 3
6-8PM
Sunday July 5
4-6PM |
Auditions
will be held on Friday July 3rd from 6pm to 8pm, and Sunday July
5th from 4pm to 6pm. To find out more, or to schedule an alternate
audition time, contact Logan LeRoy or Rob Woodall at the provided
e-maill addresses:
tloganleroy@aol.com / Rob072090@yahoo.com
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COMEDIAN SAM HILL
Saturday July 11
7:00 PM |
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A Live Tribute
to
Quentin Tarantino's

Presented by
The Killer Instinct Theatre Company's
Fanboy Theatre
July 16-18
7:00 PM |
GENRE: Drama
NOTES: Strong Adult Language and Violence
The story looks at what happens
before and after a botched jewelry store robbery organized by Joe
Cabot. Mr. White is a career criminal who takes a liking to
newcomer Mr. Orange and enjoys showing him the ropes. Mr. Pink s a
weaselly loner obsessed with professionalism. Mr. Blonde has just
gotten out of jail after taking the rap on a job for Cabot; he's
grateful for the work but isn't the same person he used to be.
While Mr. Blonde goes nuts during the heist, the thieves are
surprised by the sudden arrival of the police, and Mr. Pink is
convinced one of their team is a cop. So who's the rat? What do
they do about Mr. Blonde? And what do they do with Mr. Orange, who
took a bullet in the gut and is slowly bleeding to death?
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PUNK ROCK NIGHT
August 1
8:00 PM |
Featuring:
The Dead Livers
and appearences by:
Hey Kid - The Soylent Coil - The Fun Hogs |
ASYLUM
by Keith Aisner
Directed by Logan LeRoy
and Rob Woodall

August 6-8
7:00 PM |
GENRE:
Comedy/Drama
NOTES: Adult language and content
Gary's drug of choice is
an addiction to lucid dreaming. Through careful study he has
taught himself to control his dreams, whether this means living
out erotic fantasies or talking philosophy with God and Satan. But
Gary's mentally ill mother and other unexpected guests insist on
crashing this alternate reality, as his waking and dreaming worlds
intertwine. |
CABARET
Book by Joe Masteroff
Based on the play by John Van Druten and
Stories by Christopher Isherwood
Music by John Kander
Lyrics by Fred Ebb
Directed by Josh Kight and
Tyler Burnette

August 28 & 29
7:00 PM
August 30
2:00 PM |
GENRE:
Musical Comedy/Drama
NOTES: Adult language and content
The scene is a night club in
Berlin, as the 1920's are drawing to a close. The Master of
Ceremonies welcomes the audience to the show and assures them
that, whatever their troubles, they will forget them at the
Cabaret. His songs provide wry commentary throughout the show. On
the train to Berlin we find Cliff, a young American writer, and
Ernst, a German who surprises Cliff by putting his briefcase among
Cliff's luggage at the German border. History is in the process of
being made. Musical numbers include It Couldn't Please Me More,
Willkommen, Cabaret, Don't Tell Mama and Two Ladies. We
find Cliff on the train again, now leaving Berlin alone. He writes
about Sally and the people of Berlin leading up to the Third
Reich. It has been a tumultuous and heartbreaking era. |
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